I’m not going to be retarded like I was in my Breaking Dawn post and make everything white to prevent spoilers. I’ll take it to hope that people who see “SPOILERS!!” in the title will connect the dots and think “hm, well I shouldn’t read that post if I haven’t read Brisingr!” Anyway, on to the juicy stuff.
I’m not a fan (ironically, since I work on Shurtugal), but I’m not an anti. I’m floating around the neutral line on my opinions of the Inheritance trilogy. Therefore, what I’ll write in this post will be my unbiased opinion.
All in all, I view Brisingr as an unneeded filler. Unlike Eragon and Eldest, who both had a purpose for being books (Eragon: introducing the whole plot and showing the growth of Eragon/Saphira, Eldest: showing Eragon’s schooling and the fate of the Varden/Carvahall), it seemed that Brisingr was just a mesh of events that didn’t really connect with each other, not to mention not many of the events were pertinent to advancing the whole series’s plot. Here are the basic important events:
-Defeating the Ra’zac
-Roran+Katrina’s marriage
-The election of the new Dwarf king
-Revealing Eragon’s true father (no, it is not Darth Vader, although I’m sure many people would be giddy if it was)
-Eldunari, aka the Deathly Hallows of Inheritance
-Oromis/Glaedr’s fate
-Eragon’s new sword
I believe that’s it, so that’s what, seven events of importance, all smushed around in a 750 page book. The problem I had with Brisingr was that there was a lot more unneeded information. Paolini’s lengthy descriptions took up at least half the book. The beginning 500 pages or so went so slowly that I got bored very often while reading it. There was very little action that happened, and most of the action that did happen ended in a handy dandy deus ex machina (ex: Eragon conveniently getting attacked and then Orik conveniently being able to track down his attackers which led to everyone agreeing to make Orik the king). The Ra’zac’s defeat seemed too quick and easy for the length of the books that Eragon had pursued them. Eragon managed to get back to Varden unharmed except for a quick skirmish with a group of soldiers. The battle with Murtagh and Thorn was won so easily that I had to reread it twice to make sure I was actually reading what was written. And as for the rest, well, as I said, it was all just filler.
The last 200 pages or so also lacked the suspense the other books had. There were no surprises in the “revelations” revealed. Everyone guessed Brom was Eragon’s father and that something would happen with Oromis and Glaedr. Katrina’s pregnancy was also long guessed (who else could it be, not to mention Roran’s “the man”). The “God” was a rather big letdown (to me anyway). The sword was no big surprise either, although I guess the one surprise was that Eragon named it “Fire.” Angela should have whacked him in the head. The Eldunari were something different, but it was so reminscent of Harry Potter that it didn’t surprise me very much. Oromis and Glaedr’s death seemed all too fast, and the battle with the Shade at the end was also way too quick.
Overall I guess there was just a lack of climax. True, there was the “big epic battle” at the end, but it wasn’t nearly as great and broad as the ones in Eragon or Eldest. There was just nothing really to look forward to in this book since Paolini spoiled most of the events in his Shurtugal interview and stated that there would be no Rider. I felt this book was unneeded, despite what information it did contain.
To point out on Paolini’s writing, I do believe overall his writing slightly improved. He actually showed more depth to Eragon and Roran in this book (ex: their brotherly talk and comparing war scars) and made events seem more realistic (ex: Nasuada gaining trust by the Trial of Long Knives). That Paolini made his characters seem more human in this book was something I liked. The dialog, however, I thought could use some work. Many times I felt like I was listening to Yoda talk because the sentence structure was a bit messed up. The chapter from Saphira’s point of view also nearly made me wet my pants. Honestly, I think Paolini’s hyphen key was stuck or something so he had to compensate for a way to write. Really now, “sharp-pointy-trees”, “big-round-fire-in-the-sky?” …I appreciate Paolini’s attempt to be unique when writing from a Dragon’s perspective, but I think he could have been a little more creative than replacing nouns with rolled out hyphenated words.
To sum things up, I feel Brisingr was unneeded, as it revealed little information no one could have already guessed. Whether released for money or truly because the next book would have been too long I don’t know, but despite what the reason was Brisingr still feels like a filler to try and quench our parched throats. The writing has very slightly improved, which is a plus for Paolini, but that gets buried under the mounds of description and idle narration which bored me to no end. I am not impressed or satisfied with Brisingr, but I guess for now it will have to do.
Oh yea, one more thing: Roran killing 193 men with a hammer and not suffering any major injuries. Wtf? If that scene doesn’t make Roran look like a Gary Stu, then I don’t know what will.
Posted by bluebrisingr
Posted by bluebrisingr
Posted by bluebrisingr 